<?xml version="1.0" encoding="UTF-8"?>
<feed xmlns="http://www.w3.org/2005/Atom">
   <title>record, expression and medium - organization.</title>
   <link rel="alternate" type="text/html" href="https://www.remo.or.jp/en/" />
   <link rel="self" type="application/atom+xml" href="https://www.remo.or.jp/en/atom.xml" />
   <id>tag:www.remo.or.jp,2021:/en//9</id>
   <updated>2020-02-12T15:29:39Z</updated>
   <subtitle>Our ancestors have developed various manipulations, inventions and forms of expression, from body language to word and letter, to communicate with others.
The invention of letterpress printing in the 15th century made it possible for information to be disseminated more quickly and broadly. Thus now, since the birth of telecommunication technology such as telephone and television, we receive vast amounts of information in its real time. These days, it is possible on an individual level to record, edit and transmit information by using video/audio devices, computers, the Internet and so forth.
However, the one-way transmission controlled by the media for the sake of market expansion is what we are predominantly surrounded by in our modern lives. Is this kind of so-called mass media trend narrowing the function of the “media”, which is the primal communication tool of humans? In the relationship between the individual and media, one can see the diverse and flexible states that are not bound by purpose. Within these states, there may be information with an artistry or universalism that remains eternal.
Our organization pays great heed to “the representation addressed by the individual”, a technique which utilizes video or sound and which has shown a dramatic development in recent years. Since these representations do not convey tangible messages or stories, they are often not accepted by already existing media such as T.V., movie, theatre and so on. Consequently, there are in a difficult situation to succeed in business. Yet, this should not mean there is no value for “the representation addressed by the individual”.
We consider whether these representations will attain social value and whether individuals will rediscover their ability to freely communicate. Thus, our organization provides activities that act as a conduit for the organic flow of research, experiment, development and practice by exploring and reviewing issues presented via media. </subtitle>
   <generator uri="http://www.sixapart.com/movabletype/">Movable Type Pro 7.7.0</generator>


<entry>
   <title>2010/02/26-28 Phill Niblock [The Movement of People Working] Live Performance + Exhibition</title>
   <link rel="alternate" type="text/html" href="https://www.remo.or.jp/en/2010/0214-902.html" />
   <id>tag:www.remo.or.jp,2010:/en//4.349</id>
   
   <published>2010-02-14T12:42:50Z</published>
   <updated>2020-02-12T15:29:39Z</updated>
   
   <summary>Live Performance + Exhibition by Phill N...</summary>
   <author>
      <name>REMO DESK</name>
      <uri>http://www.remo.or.jp/</uri>
   </author>
   
      <category term="51_exhibition" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="58_live performance" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="https://www.remo.or.jp/en/">
      <![CDATA[Live Performance + Exhibition by Phill Niblock.

The Movement of People Working, his film series, has been paused since 1991, after a few decades, he did a video-shooting at factories and market in Osaka, November 2009. Don't miss his live performance and Exhibition.

<strong>Phill NIBLOCK</strong> http://www.phillniblock.com
Phill Niblock is a New York-based minimalist composer and multi-media musician and director of Experimental Intermedia, a foundation born in the flames of 1968's barricade-hopping. He has been a maverick presence on the fringes of the avant garde ever since. In the history books Niblock is the forgotten Minimalist. That's as maybe: no one ever said the history books were infallible anyway. Since 1968 Phill has also put on over 1000 concerts in his loft space, including Ryoji Ikeda, Zbigniew Karkowski, Jim O'Rourke.

Dates: 26- 28 February, 2010
Performance: 19:00- 21:00
Exhibition: 13:00- 20:00 (close at 17:00 on 28th)

Venue: remo, Coop Kitakagaya
5-4-12 Kitakagaya, Suminoe-ku, Osaka, 559-0011
e-mail: info@remo.or.jp/ remo.office@gmail.com

Access: Osaka City Subway, Yotsubashi-Line [KITAKAGAYA] sta. Exit 4 (5 min. walk)]]>
      
   </content>
</entry>

<entry>
   <title>2009/11/23 Phill Niblock Presentation+Performance with Katherine Liberovskaya</title>
   <link rel="alternate" type="text/html" href="https://www.remo.or.jp/en/2009/1109-901.html" />
   <id>tag:www.remo.or.jp,2009:/en//4.343</id>
   
   <published>2009-11-08T15:29:26Z</published>
   <updated>2020-02-12T15:29:39Z</updated>
   
   <summary>Presentation and Sound+Video Live Perfor...</summary>
   <author>
      <name>REMO DESK</name>
      <uri>http://www.remo.or.jp/</uri>
   </author>
   
      <category term="58_live performance" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="https://www.remo.or.jp/en/">
      Presentation and Sound+Video Live Performance by Phill Niblock. 
Katherine Liberovskaya collaborates her video with Phill&apos;s sound.

In this November and February 2010, Niblock will shoot the his film series &quot;The Movement of people working&quot; in Osaka, within the programme of Osaka City Contemporary Art Support project. The performance with the new video works will be scheduled in February.

Date: Monday, 23rd November 2009, 17:00-
Venue: Art Yard Studio
4th Floor, A.I.R.1963 Bldg. 1-2-25 Motomachi, Naniwa-ku, Osaka, 556-0016 JAPAN
http://www.artyard.jp/artyardstudio/
Admission: 1000yen(+1d)／Artist Free (+1d)

______

Osaka-City Contemporary Art Creation Support Project.
Media Art in Residence Programme

Host Organization: Osaka-City
Project Management: remo/ Cultural Promotion Department of Osaka-Jo Hall 
Cooperation: CAS/ Art Yard/ Suminoe Kagaya Local Community

Katherine Liberovskaya wishes to thank the Canada Council for the Arts for
their support.
￼____
      <![CDATA[<strong>Phill Niblock</strong>

Phill Niblock is an intermedia artist using music, film, photography, video and computers. He makes thick, loud drones of music, filled with microtones of instrumental timbres which generate many other tones in the performance space. Simultaneously, he presents films / videos which look at the movement of people working, or computer driven black and white abstract images floating through time. He was born in Indiana in 1933. Since the mid-60's he has been making music and intermedia performances which have been shown at numerous venues around the world among which: The Museum of Modern Art; The Wadsworth Atheneum; the Kitchen; the Paris Autumn Festival; Palais des Beaux Arts, Brussels; Institute of Contemporary Art, London; Akademie der Kunste, Berlin;  ZKM; Carpenter Center for the Visual Arts at Harvard; World Music Institute at Merkin Hall NYC. Since 1985, he has been the director of the Experimental Intermedia Foundation in New York (<http://www.experimentalintermedia.org/>) where he has been an artist/member since 1968. He is the producer of Music and Intermedia presentations at EI since 1973 (about 1000 performances) and the curator of EI's XI Records label. In 1993 he was part of the formation of an Experimental Intermedia organization in Gent, Belgium - EI v.z.w. Gent - which supports an artist-in-residence house and installations there. Phill Niblock's music is available on the XI, Moikai, Mode and Touch labels. A DVD of films and music is available on the Extreme label.

<strong>Katherine Liberovskaya</strong>

Katherine Liberovskaya is a video and media artist based in Montreal, Canada, and New York City. She has been working predominantly in experimental video since the late eighties. Over the years, she has produced many single-channel videos, video installation works and video performances which have been presented at a wide variety of artistic venues and events around the world. As of recent years her work - in single-channel and installation video as well as performance - mainly revolves around collaborations with new music composers/sound artists, notably Phill Niblock, Al Margolis/If,Bwana, Hitoshi Kojo, Zanana, and David Watson. Since 2003 she is active in live video mixing exploring improvisation with numerous live new music/audio artists including: Margarida Garcia, Barry Weisblat, o.blaat, murmer, Andre Goncalves, Monique Buzzarte, Anthony Coleman, Giuseppe Ielasi, Renato Rinaldi, Alessandro Bosetti, Audrey Chen, Marina Rosenfeld, Anne Wellmer, among others. In addition to her art practice she has concurrently been involved in the programming and organization of diverse media art events, notably with Studio XX in Montreal (programming coordinator 1996-1998, president 2001-2003), Espace Videographe, Montreal and Experimental Intermedia, NY  (Screen Compositions 2005, 2006, 2007) as well as the OptoSonic Tea series with Ursula Scherrer at Diapason in NYC. ]]>
   </content>
</entry>

<entry>
   <title>06/06/09 remoscope workshop in Togoshi Ginza [remo*TOKYO] </title>
   <link rel="alternate" type="text/html" href="https://www.remo.or.jp/en/2009/0520-899.html" />
   <id>tag:www.remo.or.jp,2009:/en//4.331</id>
   
   <published>2009-05-20T07:38:48Z</published>
   <updated>2020-02-23T12:55:48Z</updated>
   
   <summary> remo*TOKYO has open in June! For the op...</summary>
   <author>
      <name>REMO DESK</name>
      <uri>http://www.remo.or.jp/</uri>
   </author>
   
      <category term="40_remoscope" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="56_workshop" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="https://www.remo.or.jp/en/">
      <![CDATA[<img alt="090606_remo*TOKYO_remoscope workshop" src="/ja/images/090606_remotokyo_L.jpg" width="400" height="400" />

remo*TOKYO has open in June! For the opening project, remo*TOKYO will have the remoscope workshop. 

date: Saturday, 6th June, 14.00- 18.00

location: studio c.u.t 102 
2-7-4 Hiratsuka Shinagawa-ku Tokyo

access: Tokyu Ikegami Line [Togoshi Ginza]

Fee: 1000yen (incl. video equipments)
10 people

E-mail to tokyo@remo.or.jp (name/ e-mail/ tel) 

Organization: remo*TOKYO [NPO remo/ record, expression and medium- ]

*[remoscope workshop]
remoscope is a coinage of video works based on the "Lumiere Rule" remo created. No technique is required. Anybody from beginners to professionals can create video works. In this workshop, participants watch their works together and enjoy calm surprise at dissimilating familiar landscape, which is clipped out by various viewpoints. 

*Lumiere Rules
[Fixed camera/ No sound/ No effect/ No edit/ No zoom/ Max. 1 min]

*remoscope (also known as Lumiere video)
http://www.remoscope.net
http://videoblogging.info/lumiere/]]>
      
   </content>
</entry>

<entry>
   <title>remo has moved again!</title>
   <link rel="alternate" type="text/html" href="https://www.remo.or.jp/en/2009/0401-900.html" />
   <id>tag:www.remo.or.jp,2009:/en//4.332</id>
   
   <published>2009-04-01T12:07:58Z</published>
   <updated>2020-02-12T15:29:39Z</updated>
   
   <summary>remo has moved from Shinosaka to Suminoe...</summary>
   <author>
      <name>REMO DESK</name>
      <uri>http://www.remo.or.jp/</uri>
   </author>
   
      <category term="70_announcement" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="https://www.remo.or.jp/en/">
      <![CDATA[remo has moved from Shinosaka to Suminoe, Osaka. It's about 20 min.train ride from Nishi-Umeda Station on Yotsubashi Line. The space, "Corp Kitakagaya", formally the funiture factory, is going to be shared with the architects collective, <a href="http://www.tcct.zaq.ne.jp/dot">dot architects</a> in August, and more in the future.
Now we are working on some maintenance by ourselves for opening. 
We'll keep you posted!

a:
5-4-12 Kitakagaya, Suminoe-ku
Osaka 559-0011 JAPAN

approx. 5 min. walk from Exit 4 of Kitakagaya Station/Y-20 [Osaka City Subway/ Yotsubashi line ]

t+f: 
+81 (0) 6 6686 5757]]>
      
   </content>
</entry>

<entry>
   <title>29+30/11/08  Zoo x Video Workshop</title>
   <link rel="alternate" type="text/html" href="https://www.remo.or.jp/en/2008/1113-789.html" />
   <id>tag:www.remo.or.jp,2008:/en//4.209</id>
   
   <published>2008-11-13T08:37:01Z</published>
   <updated>2020-02-12T15:29:38Z</updated>
   
   <summary>Video workshop to shoot video works foll...</summary>
   <author>
      <name>REMO DESK</name>
      <uri>http://www.remo.or.jp/</uri>
   </author>
   
      <category term="40_remoscope" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="56_workshop" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="https://www.remo.or.jp/en/">
      <![CDATA[Video workshop to shoot video works following 6 conditions called Lumiere Rule. We call such video "remoscope" After shooting, the participants will watch and talk about video works like video haiku salon. You don't any technical skills in this workshop. This workshop aims to shoot the video works and learn the basic knowledge of moving image. Join a sunday walk?

If you'd like to join the workshop, send your information: your name, date, mobile number and e-mail to info@remo.or.jp or remo.office@gmail.com!

Dates: Saturday 29th and Sunday 30th November, 2008 (Choose the date) 10:00-15:00
Venue: Lecture room of <a href="http://www.jazga.or.jp/tennoji/access/index.html"> Tennoji Zoo </a>
Participants:12 people. 
What to bring: pen and lunch.]]>
      <![CDATA[What is Lumiere Rule?
Lumiere Rule consists of 6 conditions: 
No Effect/ No Edit/ Maximum 1 minute/ Fixed Camera/ No Sound/ No Zoom.

For more information, Go to the <a href="http://www.remoscope.net">remoscope </a>websites.

Host: Osaka city/ Contemporary Art Project Executive Committee
Direction: remo
]]>
   </content>
</entry>

<entry>
   <title>23/06-01/09/2008 media gym 2008  private school on mondays</title>
   <link rel="alternate" type="text/html" href="https://www.remo.or.jp/en/2008/0623-788.html" />
   <id>tag:www.remo.or.jp,2008:/en//4.206</id>
   
   <published>2008-06-23T07:56:56Z</published>
   <updated>2020-02-12T15:29:38Z</updated>
   
   <summary>Bubu de la Madelaine, an artist, will op...</summary>
   <author>
      <name>REMO DESK</name>
      <uri>http://www.remo.or.jp/</uri>
   </author>
   
      <category term="36_artist pick up" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="56_workshop" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="https://www.remo.or.jp/en/">
      Bubu de la Madelaine, an artist, will open school every Monday. Her representation is explored through physical performance, moving image and text. In the first term, we are calling for anybody who are creating the works, or who want to create works. It consists of presentation and  a joint review with participants to explore what is the vital point to work as a professional of expression. 

Dates：
Mondays, 19:00-21:00 (10 classes/term)
23rd, 30th June/ 7th, 14th, 21st July/ 4th,11th, 18th, 25th August
Final workshop at Futuro, Minami Horie on 1st September.

Navigator/ Instructor: Bubu de la Madelaine
      Bubu de la Madelaine
Graduated from Kyoto City University of Arts. performed &quot;S&amp;N&quot; as a member of Dumbtype in 16 countries from 1991 to 1996. Since 1997, she has been working both with international artists and solo in the form of performance, installation and production.

Selected works:
&quot;The spirits play&quot;（Singapore, 2000）
&quot;Sex and Consumerism&quot;（Brighton, UK, 2001)
&quot;IN TRANSIT&quot;（Berlin, Germany, 2002）
&quot;International Biennale&quot;（Prague, Czech, 2005年）
&quot;kavcaap&amp;INSERT 2003&quot;（Kobe, Japan, 2003-2005) 

Participants:15 people(Reservation is required)

FAX or E-mail to remo: 
Please write Name／Address／Type of Works(Painting, Video, Photo, Performance...)／Equipments[fax 06 6320 6443／e-mail: info☆remo.or.jp（change ☆ to @）

Fee: 1,200 yen/class (1 term 10,000yen)
Please bring equipments you need except VHS／DVD(must be authoured) player.
   </content>
</entry>

<entry>
   <title>06, 14, 23/06/2008 Alternative Media Gathering 08</title>
   <link rel="alternate" type="text/html" href="https://www.remo.or.jp/en/2008/0606-787.html" />
   <id>tag:www.remo.or.jp,2008:/en//4.205</id>
   
   <published>2008-06-06T09:06:28Z</published>
   <updated>2020-02-12T15:29:38Z</updated>
   
   <summary>Alternative Media Gathering 08 goes on t...</summary>
   <author>
      <name>REMO DESK</name>
      <uri>http://www.remo.or.jp/</uri>
   </author>
   
      <category term="34_Alternative Media Gathering" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="54_talk/lecture" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="56_workshop" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="https://www.remo.or.jp/en/">
      Alternative Media Gathering 08 goes on to September 2008.
The gathering consists of 3 parts:

- Alternatives of Moving Image: From info tour to camp 
- Alternatives of Books (reading) 
- Alternative Media Party
      <![CDATA[● Alternatives of Moving Image: From info tour to camp ●

* Dates: Saturday, 6 June 14:00- 18:00 
* Venue: remo, Shin-Osaka 
* Guest: Takuro Higuchi/ illcommonz
* Co-ordinator: Eiji Hamanishi (Kyoto Univ.)
* Admission free

● Alternatives of Books (reading) ●

* Dates: saturday, 14 june 14:00 - 18:00 
* Venue: remo, Shin-Osaka 
* References: Lazzarato, Maurizio et al "Politics of the Multitudes", 
* Co-ordinator: Eiji Hamanishi (Kyoto Univ.)
* Admission free

● Alternatives of Books (reading)●

* saturday, 14 june 14:00 - 18:00 
* venue: remo, Shin-Osaka 
* references: Lazzarato, Maurizio et al "Politics of the Multitudes" 
* co-ordinator: Eiji Hamanishi (Kyoto Univ.)
* admission free

● Alternative Media Party●
* saturday, 21 june 14:00 - 18:00 
* venue: remo, Shin-Osaka 
* timetable

11:00-  screening 

+ part 1 [Alternatives of Expression]
13:00-  presentation by David SORNIT and Marina SITRIN
14:00-  talk [David GRAEBERG/ Iwasaburo KOHSO/ Tsuyoshi HARAGUCHI]

+ part2 [Alternatives of Publication]
16:00-  Lecture by Jim FLEMING
17:00-  Presentation

- VOL by Iwasaburo KOHSO
- cocoroom library by Kanayo UEDA 
- Rakuhoku Pub by Hisashi TAKENAKA
- indymedia by Kazuya SAKURADA
- Freeter's Free by Takeshi IKUTA
- Kyototto Publishing by Kyohei OGAWA
- Jinmin Shimbun by Yoichi YAMADA

18:00- party VJ Keiichi with DJ Tet 
Food: Mayu TSUJINAMI

* admission free</strong>]]>
   </content>
</entry>

<entry>
   <title>03-06/05/2008 Video workshop x  the Botanical Garden</title>
   <link rel="alternate" type="text/html" href="https://www.remo.or.jp/en/2008/0503-786.html" />
   <id>tag:www.remo.or.jp,2008:/en//4.204</id>
   
   <published>2008-05-03T09:04:33Z</published>
   <updated>2020-02-12T15:29:38Z</updated>
   
   <summary>remoscope workshop. http://www.remoscope...</summary>
   <author>
      <name>REMO DESK</name>
      <uri>http://www.remo.or.jp/</uri>
   </author>
   
      <category term="40_remoscope" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="56_workshop" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="https://www.remo.or.jp/en/">
      remoscope workshop.
http://www.remoscope.jp

Dates: Saturday 3rd to Tuesday 6th May, 13:00-16:30
Venue: Nagai Botanical Garden/ Information Center for Flower and Green
Admission free (reservation required/12 participants a day)

      
   </content>
</entry>

<entry>
   <title>20/02/2008 Photography Workshop [Cut and Pop-up Photo Exhibition]</title>
   <link rel="alternate" type="text/html" href="https://www.remo.or.jp/en/2008/0220-785.html" />
   <id>tag:www.remo.or.jp,2008:/en//4.203</id>
   
   <published>2008-02-20T08:32:46Z</published>
   <updated>2020-02-12T15:29:38Z</updated>
   
   <summary>Date: Wednesday, 20 February 2008 19.00 ...</summary>
   <author>
      <name>REMO DESK</name>
      <uri>http://www.remo.or.jp/</uri>
   </author>
   
      <category term="36_artist pick up" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="56_workshop" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="https://www.remo.or.jp/en/">
      Date: Wednesday, 20 February 2008 19.00 -
Venue: Osaka City Museum of Modern Art Shinsaibashi Exhibition Space 
Instructor: Akiko IKEDA (Visual Artist)


      
   </content>
</entry>

<entry>
   <title>22/01/2008 The Core of Curatorial Practices #2 Osaka Meeting</title>
   <link rel="alternate" type="text/html" href="https://www.remo.or.jp/en/2008/0122-784.html" />
   <id>tag:www.remo.or.jp,2008:/en//4.202</id>
   
   <published>2008-01-22T07:51:29Z</published>
   <updated>2020-02-12T15:29:38Z</updated>
   
   <summary>Dates： Meeting: Tuesday, 22 January, 200...</summary>
   <author>
      <name>REMO DESK</name>
      <uri>http://www.remo.or.jp/</uri>
   </author>
   
      <category term="46_others" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="52_screening" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="54_talk/lecture" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="https://www.remo.or.jp/en/">
      Dates：
Meeting: Tuesday, 22 January, 2008 18.00- 21.30（open: 17.30）
Screening: Everybody Wants to Rule the World
Wednesday, 23 January 2008 18.00

&gt;&gt;programme&lt;&lt;

*Lecture
The Methodology of Harald Szeemann&apos;s curation by Yuka TOKUYAMA

*Presentations
- The Practice of Public-ky Art by Nov AMENOMORI, Breaker Project (Osaka)
- Social Experimental Project &quot;Shin-bi&quot; by Takeshi TAMURA, Kyoto Seika University (Kyoto)
- Osaka Arts-Apolia and Community- Collaborative Art by Miho NAKANISHI (Osaka)
- AHA![Archive for Human Activities] by Atsushi MATSUMOTO, remo (Osaka)
- rhythm- Activities to Actively Committing to Urban Culture by Mizuki ENDO (Fukuoka/ anywhere)

admission：500 yen
      
   </content>
</entry>

<entry>
   <title>10/01/2008 video rendez-vous</title>
   <link rel="alternate" type="text/html" href="https://www.remo.or.jp/en/2008/0110-783.html" />
   <id>tag:www.remo.or.jp,2008:/en//4.201</id>
   
   <published>2008-01-10T07:17:34Z</published>
   <updated>2020-02-12T15:29:38Z</updated>
   
   <summary>video rendez-vous →flyer download(pdf) [...</summary>
   <author>
      <name>REMO DESK</name>
      <uri>http://www.remo.or.jp/</uri>
   </author>
   
      <category term="32_AHA! Project" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="34_Alternative Media Gathering" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="36_artist pick up" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="40_remoscope" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="52_screening" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="54_talk/lecture" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="56_workshop" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="58_live performance" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="https://www.remo.or.jp/en/">
      video rendez-vous
→flyer download(pdf) [pdf]
→work list download  [fore] [back]

Dates: Thursday, 10th to Sunday, 20th January 2008, 11.00 - 19.00 (enter till 18.30)
Venue: Osaka City Museum of Modern Art Shinsaibashi Exhibition Space 

Admission free (incl. workshop and talks)

Artists/Talkers: 
Shuntaro Tanikawa/ Johan Grimonprez／Charlotte Leouzon／illcommonz／Yasuko Toyoshima／Fumio Kamei／Liselotte Wajstedt／Dee Dee Halleck／Elizabeth Coll and Kenji Ozawa／Takuro Iwabuchi／Yuki Nakamura／Tetsuo Kogawa／Pascal Beausse
      ●workshop● [drum bloc]
drum workshop
* Friday, 11 january 18:00～ Lecture/ 19:00～20:30 Workshop
* Lecturer: illcommonz

●talk●「Radio Art and Self Media」(english translation)
* Sunday, 13 January　19:00～20:30
* Guest talkers:　Tetsuo Kogawa (media activist) × Pascal Beausse (art critic/ guest curator- palais de Tokio)

●talk●「Video is a pencil to write something invisible」
* Monday, 14 January 19:00～20:30
* Guest：Shuntaro Tanikawa（poet）
* Interviewer: Kenji Kai（remo）・Atsushi Matsumoto（remo- producer of aha! project）

Host : Osaka-city
Production : Media Art Executive Committee
Subsidy: Japan Foundation for Regional-Art Activities
Cooperation: Osaka Uni. GCOE Program/ COUMA/ dot architects/ les contes
   </content>
</entry>

<entry>
   <title>summary/ mission statement</title>
   <link rel="alternate" type="text/html" href="https://www.remo.or.jp/en/2008/0101-774.html" />
   <id>tag:www.remo.or.jp,2008:/en//4.13</id>
   
   <published>2008-01-01T10:44:45Z</published>
   <updated>2020-02-17T06:01:11Z</updated>
   
   <summary>Our ancestors have developed various man...</summary>
   <author>
      <name>remo info</name>
      
   </author>
   
      <category term="10_about" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="https://www.remo.or.jp/en/">
      Our ancestors have developed various manipulations, inventions and forms of expression, from body language to word and letter, to communicate with others.
      The invention of letterpress printing in the 15th century made it possible for information to be disseminated more quickly and broadly. Thus now, since the birth of telecommunication technology such as telephone and television, we receive vast amounts of information in its real time. These days, it is possible on an individual level to record, edit and transmit information by using video/audio devices, computers, the Internet and so forth.
However, the one-way transmission controlled by the media for the sake of market expansion is what we are predominantly surrounded by in our modern lives. Is this kind of so-called mass media trend narrowing the function of the &quot;media&quot;, which is the primal communication tool of humans? In the relationship between the individual and media, one can see the diverse and flexible states that are not bound by purpose. Within these states, there may be information with an artistry or universalism that remains eternal.
Our organization pays great heed to &quot;the representation addressed by the individual&quot;, a technique which utilizes video or sound and which has shown a dramatic development in recent years. Since these representations do not convey tangible messages or stories, they are often not accepted by already existing media such as T.V., movie, theatre and so on. Consequently, there are in a difficult situation to succeed in business. Yet, this should not mean there is no value for &quot;the representation addressed by the individual&quot;.
We consider whether these representations will attain social value and whether individuals will rediscover their ability to freely communicate. Thus, our organization provides activities that act as a conduit for the organic flow of research, experiment, development and practice by exploring and reviewing issues presented via media.
   </content>
</entry>

<entry>
   <title>About Projects</title>
   <link rel="alternate" type="text/html" href="https://www.remo.or.jp/en/2008/0101-775.html" />
   <id>tag:www.remo.or.jp,2008:/en//4.14</id>
   
   <published>2008-01-01T05:56:05Z</published>
   <updated>2020-02-12T15:29:38Z</updated>
   
   <summary>AHA!  [Archives for Human Activities]  A...</summary>
   <author>
      <name>REMO DESK</name>
      <uri>http://www.remo.or.jp/</uri>
   </author>
   
      <category term="10_about" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="https://www.remo.or.jp/en/">
      AHA!  [Archives for Human Activities] 
AHA! aims to build a digital film archive system by collecting and preserving moving image artifacts.  By doing this AHA aims to create a comprehensive resource for people interested in the history of the moving image.  The project provides 8mm film screenings, home screenings, and provides a service to convert 8mm film to DVD to enable older films to be added to the archive.

Alternative Media Gathering
Alternative Media Gathering is a workshop that studies the approaches of alternative media , as well as new learning methods and different ways of using the various forms of media.

artist pick up
artist pick up focuses on video works in the contemporary art field and introduces local and international artists who push creative boundaries and go beyond what is considered conventional.  The project explores video works using conventional screening methods as well as works displayed creatively in a given space.

remoscope
remoscope is a collection of video works made in accordance with the Lumiere Rule which consists of six conditions ( Maximum 1 min. / Fixed Camera/ No sound/ No Zoom/ No editing/ No effects).  The Lumiere Rule was created by remo from the six possible techniques in 1895 when the Lumiere brothers invented the cinematograph . We provide workshops giving the opportunities to create, present, and talk about the works to a wide-range of people from beginners and professionals of video-shooting.

http://remocope.net

remember 3rd monday
remember 3rd monday is a presentation that takes place on the 3rd Monday of every month. The presentations at Remo are open to anyone who would like to present their works for free. It also serves as a platform for discussion between viewers and creators after the screening. This platform is open to not only the presentation of completed video works, but test screening of works in progress and [remoscope] works.

wallstream
[wallstream] takes the position that moving image may be incorporated into interior and exterior building design in the future.  The project aims to create new methods and encourages people to think about the surrounding environment when creating moving image works intended for buildings.


      
   </content>
</entry>

<entry>
   <title>16/07/2007 remosports</title>
   <link rel="alternate" type="text/html" href="https://www.remo.or.jp/en/2007/0716-776.html" />
   <id>tag:www.remo.or.jp,2007:/en//4.194</id>
   
   <published>2007-07-16T06:21:09Z</published>
   <updated>2020-02-12T15:29:38Z</updated>
   
   <summary>remo&apos;s last event in the Festival Gate! ...</summary>
   <author>
      <name>REMO DESK</name>
      <uri>http://www.remo.or.jp/</uri>
   </author>
   
      <category term="32_AHA! Project" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="34_Alternative Media Gathering" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="36_artist pick up" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="38_remember 3rd monday" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="40_remoscope" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="59_others" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="https://www.remo.or.jp/en/">
      remo&apos;s last event in the Festival Gate!

remo has launched the activities since 2002.

Due to the closing of the Festival Gate on the 31st of July, our activities here will come to an end.  We&apos;ve already embarked on the next project. Then we&apos;ll have a one-day party at this juncture of the end and the rebirth.

We call this party [remosports] - phalanx of media and activities(activism) as remo promotes the &quot;body-training&quot; to handle media. 

      We have 3 special guests;
Jun Hirose
Rogues&apos; Gallery
Bubu de la Madelaine

the 16th of July is the 3rd monday, so we also include remember 3rd monday as well.

■programmes and timetable

□14:00～15:00
Lecture [Moving Image and Activism] by Jun HIROSE

□15:00～16:00
- Screening &quot;FORZA&quot; provided by remo&apos;s video label &quot;authentic records&quot; 
Video of The bustling parade of the historical last game in 2004-5 season by the supporters of the Italian football team GENOA.  This game was invalid due to the fixed game after the parade with no cut or edit.

□16:00～18:00
- remember 3rd monday 
guest: Bubu de la Madelaine

□19:00～22:00
remosports VJ＋DJ  The right stuff

□all day 
[video bar] 
Rogues&apos; Gallery「Bar Da*Vide」

[screening]
- KAWAI+OKAMURA　「HEAD WREST 3001」（2001）
- Home Video of a sports day in 1920-1970s provided AHA! Project
- remoscope
- video: wireless imagination dialogue（2005.12／Tetsuo Kogawa x Kazuya Sakurada[remo]）

   </content>
</entry>

<entry>
   <title>14/07/2007  Toshikazu and Hiroshi MIYAMOTO [Not there; here] - in collaboration with the late grandfather, Toshikazu MIYAMOTO - </title>
   <link rel="alternate" type="text/html" href="https://www.remo.or.jp/en/2007/0714-777.html" />
   <id>tag:www.remo.or.jp,2007:/en//4.195</id>
   
   <published>2007-07-14T06:33:48Z</published>
   <updated>2020-02-12T15:29:38Z</updated>
   
   <summary>The Installation of old film and sound r...</summary>
   <author>
      <name>REMO DESK</name>
      <uri>http://www.remo.or.jp/</uri>
   </author>
   
      <category term="46_others" scheme="http://www.sixapart.com/ns/types#category" />
   
      <category term="51_exhibition" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en-us" xml:base="https://www.remo.or.jp/en/">
      <![CDATA[The Installation of old film and sound related to family of the artist, Hiroshi Miyamoto.

<From the artist statement>
I create "a warehouse of memories" recorded in various media using 10 video projectors, FM radio waves and daily objects. Visitors can take a part of memories 
to home. Please bring a portable FM radio you have (if you have). 

- Old photographs sometimes impress us when seeing them
- It could do because you find the common thing with those photographs.

This project is composed of installation works about The Miyamoto Family and their stories.
I interweave my film, photographs and sound are interwoven with the home movies and the family albums recorded by my late grandfather Toshikazu into a work of art.  In those records, both of us capture the people close to ourselves and landscapes around our house.  That is to say, the memories of the family are recorded.

_ For instance, face. voice, and body of the self, lifestyle, memories in childhood. expectation to the future
_ you might realize something taken for granted, but something important through our work.

Dates: Friday, 6th to Saturday 14th July 2007 15:00-21:00

Admission free
]]>
      MIYAMOTO HIROSHI 
Born on 14 January 1978.  He was working as a cinema projectionist, and as an assistant of the film director Atsuhito Yamashita when he went to film school.  After graduating, he had been an adult video director.  He does not stick to one particular media for his works using video, sound and photography to expand the range of his representation.

He&apos;s a member of AHA! project(Archive for Human Activities).
Website: http://www.itonami.info　

co-operation: NPO Osaka Arts-Apolia/ Cine Nouveau/ Planet Film Archive/ NPO remo
   </content>
</entry>

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